Monday, 11 November 2013

Film Poster Analysis: Saw 2




The film which is being promoted by this particular poster is Saw 2, the second of the ever-growing Saw franchise. It belongs to the sub-genre of psychological horror, as the antagonist, Jigsaw, plays dangerous mind games with his victims who have to decide how much they are willing to give to stay alive. This specific poster is a teaser poster, and I chose it because it is really conventional when it comes to posters that promote the Saw films, but quite unconventional when it comes to horror film posters in general. I also felt like it made me feel really uncomfortable and slightly scared even though it is an extremely simplistic poster; the overall the effect it could have on its audience really intrigued me, therefore.

The setting of the poster is extremely plain and unconventional as it is a simple, nondescript, white background. Usually the setting or background for a horror film poster is dark or features an isolated setting which links to the film. However, this poster may have used a simple white background because it is a teaser; it doesn’t want to give as much away about the film’s narrative as a usual poster would do, so they cannot try and guess the narrative of this sequel. Or perhaps, as this poster is for the sequel to Saw, the audience do not need any further information to make sense of the poster and make assumptions about the narrative. The effectiveness of the stark white background cannot be argued, meanwhile. It works and is fitting that it is so cold and sterile, whilst the white background allows the lopped off fingers to stand more starkly and sinisterly. The white background also links back to the first Saw movie, in which the poster was a single hand on a white, clinical looking floor – it signals that it is a sequel and creates a symbiotic link. This symbiosis is important, as it increases recognisability. Fans of the previous Saw movie will identify very quickly that this is the second installment of Saw and will be instantly drawn to it. The white background could also signal the fact that the narrative of the Saw movies is very basic, as, in each one we see someone have to risk their own lives in order to save their life – simple as that. Equally, the white background reflects the fact that the Saw franchise is a psychological horror which is a sub-genre which is not as mainstream as say, slasher or supernatural – the Saw movies like to break boundaries. It’s rare to see a horror poster with a white background; just like psychological horrors are less common nowadays. Thus the background signals the film isn’t like other horror films – it is different when it comes to sub-genre.

However, despite the unique quality of the poster, it does follow the conventions of horror movie posters, as we see the name of the movie as the largest piece of text in the frame and it is located in the middle. It is also a script type font which is a common convention for psychological horrors; they tend to get inside a character’s mind and therefore they are much more personal than other sub-genres and the script font reflects this. The fact that ‘COMING SOON’ features on the poster is a convention in itself and is indicative of how the poster is a teaser poster; teasers aim to create interest and intrigue and do not give the actual release date away.
The image features two fingers that have been severed off and look unclean and as if they are decomposing. This will instantly horrify and disgust the audience, particularly as they can see congealed blood sitting beneath the fingers and split nails sitting on top. Above the name and the image, which are placed next to each other, we see the edge of a saw at the top of the poster. The saw anchors the audience’s understanding of the other parts of the image – the audience will first see the edge of the saw, look down, and see the severed fingers and will realise that the fingers have been sawed off.  This gives the poster an interactive element when it comes to the audience, as the audience have to figure out why the fingers are there, and once they do they will feel clever and engaged when it comes to the film poster and therefore this may entice more audience members to come and see the movie. It also attracts the perfect target audience; psychological horrors tend to attract an intellectual audience who like movies that challenge their mind. It may also send a chill down the audience’s spine as, with both the fingers and the saw there they will imagine the fingers being sawn off; a gross image. If a poster is able to do this to a horror audience, who could be partial to a good scare and even a bit of gore, then the audience may wonder whether the film is just as scary and gruesome and will again be encouraged to watch it. It is unclear as to which lighting has been used; it appears to be available lighting or artifcial, but either way it is bright, thus emphasising the white floor, the horrific and decaying nature of the fingers, the tarnished writing and the dirty saw and will definitely put the audience on edge even more as they may feel they can’t escape it – it’s in their face.

The severed fingers that feature within this poster are extremely dirty and the chipped fingernails look long and brittle. These are key to making the audience feel uncomfortable; the fingers are so dirty, it begs the question, where were they chopped off and why are they so filthy? Also, how long have they been there, as they certainly look decomposed? Who do they belong to, where is the rest of him or her and are they still alive? This leaves the audience full of intrigue. The long fingernails being chipped and filthy also add to the eerie, spinechilling feel of the poster, and the audience will be wondering why are they so long and how were they chipped? The split, chipped look of the nails could even be said to be symbolic. One of the nails is split in two, symbolising the way in which the fingers have been ‘split’ away from the remaining parts of their owner, while the overall grotesque state of the nails mimics the hideousness of the fingers generally and reflects the nastiness of the actual crime. The fact the fingers are also unclean also signal it is a horror; these clearly weren’t removed by a doctor at a hospital as part of a supervised procedure. The saw also looks tarnished and this is classic horror iconography. All of these elements combine to create a sense of fear, disgust and curiousity for the audience and encourage them further to go and see the film.  The fact that the image makes so many questions pop up in the audience’s mind could also be reflective of the fact it is a psychological horror being advertised; although it features severed fingers and a saw, a typical horror weapon, it doesn’t really follow slasher conventions with a masked antagonist featured or a bloodied knife.
The title of the film itself, Saw 2, suggests that the movie will be gory, but doesn’t really give too much away, such as the sub-genre it belongs to. However, the fact it is a sequel (hence the ‘2’ in the name) plays a big role as the audience will be likely to have seen the first movie within the horror franchise, and will therefore have an idea about the kind of narrative that will feature. The title does, however, match the movie as after all, it is extremely gory as well as being a clever, psychological horror. The name also provides further anchorage as it makes sure the audience know that the fingers have been sawn off. The script font that is used isn’t very conventional; it looks as if somebody has used a hot poker or some sort of marker to put the letters onto the poster, which, again, reinforces the gory idea of the movie. The large font also makes it grab the audience’s attention, along with the brown colour and tarnished effect against the white background. The brown colour and tarnished letters also link to the fingers, which are of a similar colour and have a similar, worn effect – both the text and the image seem filthy. The longer, vertical parts of the letter ‘W’ seem to mimic either the shape of sawn off fingers or even the shape of the saw’s edge itself, creating a very effective title. Typically,the large size of the text also signifies it is the name of the film, following conventions and also making it highly visible compared to the ‘COMING SOON’ piece of text at the bottom of the page. Usually the name of the film features at the bottom. However, when looking at teaser posters, it tends to feature in the middle, leaving the bottom free for release-related information.

The colours which tend to dominate the poster is white and dark brown; this could reflect the battle between life and death which the characters within the movie face or even the battle between good and evil that sits at the very centre of all horror narratives. The white also contrasts with the brown, dirtiness of the fingers and name, therefore making the audience feel even more uncomfortable as the fingers and name really stand out.

In conclusion, this teaser poster is extremely effective in promoting Saw 2; it creates the right amount of intrigue to lure in its target audience through its simple use of image and mise-en-scene. As it is a sequel, the audience will already know the basic narrative of the move, but, nevertheless, the saw at the top of the poster and sawn off fingers also suggest the narrative without giving too much away for the audience. 

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